Light, balance, colour

At the crossroads of sculpture and painting, Stéphane Tambeur explores how form, light and colour can modulate our perception of space.

Through luminous wall objects, suspended structures and coloured volumes, each work offers a visual experience that oscillates between geometric rigour and sensory poetry.

LightScapes are luminous wall sculptures where light becomes matter and depth.

These hollowed-out forms act as silent alcoves, organising the wall space around a soft, indirect light.

Between minimalist furniture and miniature architecture, they invite contemplation, striking a subtle balance between function and abstraction.

The mobiles, with their floating, almost musical lines, draw a fragile and moving architecture in the air.

Their silent balance creates a slow, suspended choreography. These are open, airy works that dialogue as much with the void as with the environment that hosts them.

The three-dimensional murals, with their bold, saturated colours, are a combination of painting, relief and design.

Each piece articulates coloured planes with sculpted curves or tensions. These are modules on the borderline between object and image, which play with shadows and optical illusions, while asserting their materiality in space.

Design and Desire - Down the Rabbit Hole’ explores the entangled relationship between creativity and commodification within a landscape increasingly shaped by algorithms, affective economies, and the allure of viral culture.

We ask where are we now in the friction and feedback loop between design and desire?

The exhibition aims to bring together a range of objects and media by contemporary Belgian artists and designers whose work in part interrogates or subverts the relationship between design and desire, creativity and the systems of consumption that sustain and/or distort it.

The exhibition invites visitors to reflect on the role of consumer and creative, as both passive and active participants in a world shaped by relentless cycles of want and production. _dp3.0 present a space where design becomes uncanny and unstable and where function slips into fantasy and vice versa.

The exhibition is curated by '_dp3.0' in collaboration with 'Rempart 44'

Opening times:
Opening cocktails from 6pm 19,09
Saturday 11am - 6pm 20,09
Sunday 11am - 6pm 21,09

More information:

https://dp3point0.com/
https://www.rempart44.be/

To take part of Brussels Design September 2025 Open Doors, Lomo Studio Architects opening the doors of its office in Schaerbeek.

The agency is active in the renovation and transformation of private and commercial spaces, mainly in the Brussels-Capital region.

Laurent Brandasj photograph

20th Century Design& Decorative Arts . Ceramic

A warm and minimalist living space, combining sustainability and functionality.

Designed by architect Carl-Eric de Sivers, Alphonse Café offers a sensitive and structured universe, rooted in the Fort-Jaco neighborhood while reflecting a contemporary vision of the neighborhood café.

The design strikes a subtle balance between warm tones and clean lines. The walls are coated with St Leo marble powder paint, in enveloping warm shades that diffuse soft light throughout the day.
This muted backdrop interacts with stainless steel accents, used to aesthetically enhance technical elements, adding both precision and visual lightness.

The custom furniture, crafted by Duplex Studio, includes tables, stools, and benches made from recycled wood (Arbony parquet offcuts) and galvanized metal.

This artisanal, locally-made approach reinforces the authenticity of the space while highlighting its commitment to sustainability.

The counter is clad in two-toned mosaics, distinguishing the cash register area from the culinary zone. Its matte finish and natural hue integrate seamlessly into the overall palette.
In the perspective of the entrance, an orange arch marks a striking passage and invites visitors through a more intimate corridor, bathed in indirect light and designed as a cozier extension of the main room.

Alphonse Café thus combines sobriety, warmth, and sustainability, expressed through a restrained and committed architectural language, creating a café where one feels welcome from the moment they step inside.

Amoroma, a new Belgian leather goods brand, designed in Belgium by Géraldine Vincent and made in Italy.

Boldness. Elegance. Creativity. This concept store invites you to discover its creations and immerse yourself in its unique world.

Boutique Amoroma ouvre le 18 septembre et est située n° 533 Chaussée de Waterloo, à deux pas de l'avenue Louis Lepoutre .

Soirée d'inauguration le 18 septembre de 16h à 22h.

The 'Art Deco 1925 >< Mode 2025' exhibition offers a reinterpretation of Art Deco through the prism of 10 Brussels designers.

Echoing the images and magazines of the period, in which drawings and photographs show the creativity of dressmakers between the wars, each designer presents his or her contemporary vision of the codes of the movement in a fashion silhouette.

With the participation of:

Théo Auquière, Natacha Cadonici, Madeleine De Mey, Dawit Felichie Ketema, You Huize, Conni Kaminski, Jessie Lecomte, Jean-Paul Lespagnard, Romain Lopez Alvarez, Julie Menuge.

Production : Halles Saint-Géry. Coordination: Mode-in.Brussels. Scenography : ArchiStory, Cristina Marchi, Dominique Hambÿe.Graphic design : Dominique Hambÿe. Video : Mendori Films, Maxime Baldewyns.

With the support of: Musée Mode & Dentelle, Caroline Esgain. Ville de Bruxelles. Loterie Nationale.

This exhibition is presented as part of Art Deco Year 2025, jointly led by urban.brussels and visit.brussels, in collaboration with the non-profit organisation Patrimoine & Culture.

Tableware in resonance with contemporary ceramic art.

Ceramics & imaginary table settings — where ceramics join the table and tables become works of art!*

Three days to explore a world where ceramics converse with imagination, where every table becomes a living tableau.

Artisans and ceramicists invite you into poetic universes, with handmade objects and compositions that re-enchant the art of hosting.

Blending raw materials, organic lines, and both contemporary and vintage inspirations, Arty Tables celebrates beauty, craftsmanship, and the magic of detail.

Anne-Sophie Evrard is a Belgian surface pattern designer whose work delicately blends craftsmanship, authenticity and uniqueness.

Specialising in coloured pencil illustration, she creates intricate motifs offering a timeless, warm aesthetic for a variety of applications.

At Atelier HD, we shape ceramic objects that inhabit space differently, not quite artworks, not quite functional design pieces.

Our playground lies at the intersection of art and design, a shifting territory where hands, materials, and forms engage in a free dialogue.

With ARCUUM, we wanted to explore this in-between. The word comes from the Latin arcus: an arch, a bridge, a passage.

For us, it symbolizes the link between two worlds , the emotion of a unique piece and the presence of an object created for living spaces.

ARCUUM is an invitation to cross over, to see interior objects differently when they are born from an artistic gesture.

We work with four hands, in a slow and physical rhythm. Clay is our starting point and often our guide. Nothing is automated: each piece goes through a long process of shaping, assembling, firing, and glazing. Time is part of the object. And that’s what makes each creation alive and unique.

Through ARCUUM, we want to show that design can be a form of art, and that a handcrafted gesture can transform a space.

Our pieces are made to last, to spark curiosity, and to create visual, emotional, and sometimes architectural, dialogue.

During the weekend of October 20–21, we will be exhibiting our work at 29th October, a beautifully store located in the heart of the Sablon district, one of Brussels’ most iconic and art-filled neighborhoods.

We’re grateful to 29th October for opening its doors to us and offering a space where ceramics can meet fashion.

Surrounded by timeless objects and carefully selected pieces, our work will find its place in a setting that reflects the same values we hold dear: authenticity, detail, and emotion.

This collaboration is part of our ARCUUM project, a bridge between art and design, and we’re thrilled to share it in such a meaningful and inspiring context.

Atelier Tou is a design house that crafts sensitive tableware and contemporary objects for modern living, using ancestral ceramic techniques.

Shaped by traditional expertise, each piece is designed and handcrafted in Brussels by Anna Tou, designer of the collection, balancing elegance and functionality.

Portes ouvertes → Weekend du 20 et 21 septembre, de 11h à 18h
Photos: Jérôme Hubert, Jules Toulet

More info: https://www.facebook.com/atelier.tou/
https://www.instagram.com/atelier.tou/

Designer Roxane Lahidji, founder of Marbled Salts, creates furniture and objects in an innovative material she has developed from sea salt. Sustainable design gallery Augusta is presenting her work in the heart of the Sablon from 19 September to 30 November 2025. The exhibition focuses on Roxane Lahidji's most recent creations. These include her landscapes, impressive salt wall pieces evoking the pattern of the wind in the dunes. In addition, Augusta is showcasing emblematic pieces from her work such as the Planet lamps. Originally from Paris, Roxane Lahidji lives in Brussels and has set up her studio in Zaventem Ateliers. Her first solo show highlights the unique and innovative nature of her work, which has been praised from New York to London. Roxane Lahidji at Augusta 19 September - 29 November Thursdays/Fridays/Saturday from 14h to 18h Closed on Saturday the 1st of November

Purchase and sell 20th century furniture.

OPENING HOURS:
Thurs. - Frid.: 10am > 4pm
Sat. - Sun.: 10am > 6pm

Welcome to BACI, a gateway to Italian authenticity and elegance.

Every corner whispers the stories of a vibrant and sophisticated Italy, evoking the scents and landscapes of sun-kissed regions where hospitality is a true calling.

Here, flavors harmonize with the art of hosting, and each dish tells the story of our roots.

At BACI, Italy is savored, experienced, and above all… shared.

Boaboa Records Café is a hybrid and immersive space, designed for discovery, exchange, and sensory immersion.

More than just a café, it’s a meeting and listening space, where people slow down to enjoy sound and conversation.

Boaboa embodies slow living—a place where music and atmosphere create an authentic, spontaneous experience.

Here, food and drinks support the experience, but they are not the focus. The essence of the space lies in music, ambiance, and human connection.

The Boaboa team collaborated with Hand HiFi, a Berlin-based company specializing in custom sound systems, to create a tailored audio experience that fully reveals the identity of the space.

Celebrating the 60 years of The Most Beautiful Czech Books award, Book Space turns outstanding Czech book design into a visually striking installation that connects interior design, book graphics and education, with a strong emphasis on inclusive design.

Step inside and explore a hand picked collection whose visual language needs no translation.

Comics, children’s picture books, cookbooks, sports titles, and more — each chosen for its power to speak through form, colour, and Czech book printing and binding craftmanship alone. The installation is staged on furniture created by Czech designers and producers Mikolášková & Drobná, Master & Master, Plastic Guys, Masopust, and Monotropa, underscoring the technical finesse and material innovation that distinguish Czech design.

By weaving literature, book graphic design, and furniture design into one inclusive environment, Book Space strengthens cultural ties between Czechia and Belgium and invites every visitor to slow down and let the books speak for themselves.

Curated by Nicole Brock. Graphically designed by Barbora Kramná. Organized by Czech Centre Brussels.

Brussels Interior Event at Trademart – 28 to 30 September 2025

The must-visit B2B event for interior, home & lifestyle professionals.

From 28 to 30 September 2025, Trademart Brussels opens its doors for the Brussels Interior Event — a unique B2B experience bringing together interior brands, retailers, and design professionals under one roof. Located next to the Atomium, Trademart is Europe’s largest buying center for professionals, home to over 350 brands in furniture, home décor, lighting, textiles, kitchenware, and lifestyle. It’s where inspiration meets business — designed to help professionals discover new collections, connect with suppliers, and get ahead of the latest trends.

What to expect during the event:

Meet hundreds of brands and suppliers in the interior & lifestyle sector,
Discover new collections and seasonal trends,
Be inspired by curated spaces and styled installations,
Network with fellow professionals and explore exclusive show offers.

Whether you run a concept store, interior studio, design shop or online platform — the Brussels Interior Event is your place to be this September.

Cabinet is a curiosity shop where you will find vintage items with avant-garde designs that you have never seen before, with a focus on crystal, metal and plastics.

These gems are unearthed by Rebecca Jaber and Milosz Martyniak, the two founders of the concept.

As part of Design September Brussels, Cityfab 1 invites you to a full day of discovery and inspiration on September 18th, from 10 AM to 6 PM.

Come explore one of Brussels’ leading digital fabrication labs, where design meets technology.

During this exclusive Open Doors Day, visitors will enjoy free guided tours and live demonstrations of cutting-edge production tools including: 3D printers, CNC machines, Laser cutters, Digital embroidery, screen printing, giant drawbot, vinyl cutting.

Throughout the day, our fabmanagers will be on hand to show you the potential of each machine and answer your questions.

Whether you're a designer, artist, maker or simply curious, cityfab 1 is the place to explore the creative possibilities of digital fabrication.

COLLECTED As interior designers, we wanted to showcase our selection and our favourite pieces in a showroom/lifestyle shop called ‘Collected’ located at Place Brugmann 1 in Ixelles, bringing together a selection of design pieces, furniture, lighting, decorative items and art objects. Interior design services are also available.

Brands such as Mohebban Milano for carpets, Bd Barcelona, La Chance, Magis for furniture, Bomma Lighting for lighting, Serax, Ichendorf, Roros Tweed for decoration and tableware. Established and emerging designers such as Moto Studio with Stack Furniture, Maria Scarpulla, Lucas Zito, Lila Farget, Dirk Meylaerts, and Sara Moorhouse.

As part of Design September, we will present Bomma Lighting's blown glass lighting collections in dialogue with Lila Farget's glass sculptures. www.collect-ed.com instagram: collected_brussels

Join us for an exclusive conversation with Tom Dixon, a leading figure in British design, as he explores themes of innovation, materiality and spatial thinking.

The conversation starts at 6pm.

More information:
https://www.instagram.com/mayfair.bxl/

The second edition of the Curated, Functional Art Exhibition will be hosted at Mix Brussels and curated by Lionel Jadot.

Featuring the work of talented designers, this unique event transforms the historic former Royale Belge building into a vibrant hub of creativity.

Designers, artists, collectors, and architects will come together to showcase and share their exceptional creations during a residency weekend filled with talks, food, music, and DJ sets.

This three-day event is open and accessible to everyone. Entry is free but ticket is mandatory.

DESIGNERS/STUDIOS: ARIANE VAN DIEVOET / ATELIER ALEXANDRE LABRUYÈRE / ATELIER26 / AURÉLIEN VEYRAT / CAMILLE TAN & ALEXIS MAZIN / CRU ATELIER / DANIYAR UDERBEKOV / DEBORA VANCAYZEELE / DIRK MEYLAERTS / FESTON, FRACTALL / GLASS VARIATIONS / JULES PÉAN / LUCAS ZITO / MAD BRUSSELS / MAUDE SAUVAGE / MARIANA RALO / MARIJKE DE COCK / MATHILDE WITTOCK / MOKKO / NICOLETTE DE WAART / OBJECTS BY MAX REYNDERS / PELLEGROMS / PROTOCLUB / ROVER / STUDIO LOHO / FRANÇOISE LOMBAERS / GUILLAUME SLIZEWICZ / TIM SOMERS / VACUUM ATELIER / ÆTHER/MASS.

d+ Furniture, lighting and objects from the XXth century with an accent on Italian designer such as Gio Ponti, Ettore Sottsass, Joe Colombo Gino Sarfatti, Ico Parisi, Castiglioni, as well as European and American designer.

Design for Resilience is a Belgian textile research studio exploring the intersection of design, sustainability, and local craftsmanship.

In Brussels and in collaboration with local partners, we design and knit refined, responsible textile pieces — from home linens to zero-plastic accessories — created to elevate contemporary interiors while caring for the planet.

Our long-term vision: to help rebuild a Belgian textile industry that is ethical, organic, and future-proof — rooted in local innovation and circular design.

What we manufacture :

→ Interior decor items: cushions and throws in European linen and Belgian wool, knitted in Brussels using local, ethical materials that respect animal welfare.

→ Eco-friendly bath linens: linen towels (high-performance, ultra-light or plush), cleansing pads, exfoliating hemp wash mitts, and storage pouches.

→ Practical and durable accessories: dishcloths, hemp sponges, linen and hemp bags and pouches.

→ Textile accessories: scarves in wool, linen, and upcycled silk, hand-knitted with a zero-waste approach.

Design With Sense is structured as a cooperative company since 2022. Based in Brussels, they put humans and materials at the heart of their approach to interior design.

Reception desk, offices, kitchen, homes, commercial spaces: in an approach anchored in circular economy and co-design, the company designs new and stylish furniture from a majority of reuse materials and centered on the needs of the final users.

At Design With Sense, we work transversally and through an inverted design perspective. "We start from the material and very quickly integrate the future user to the reflection, in a design thinking approach that will bring out the real needs of the users. We have constant exchanges between the production workshop, the interior architects and the clients in order to challenge projects as much as possible and directly involve all stakeholders in decision-making."

KA PAI studio has opened a new creative collective in Schaerbeek. We are a small collective of artists whose work ranges from painting, poetry, paper-mache objects, scenography design and floral art installations.

The studio is led by mother-artists who celebrate unapologetic colours, bold paterns, nature and recycled design.

Earthstone is a design project turning raw earth into lightweight, sustainable objects.

We transform soils from local excavation sites through a unique blend of design and craftsmanship.

Our research enables us to design products with an environmentally responsible end-of-life.

Encré. is a clothing brand founded in France in 2017.

After opening two smaller boutiques in France, we chose Brussels as the location for our full-scale flagship store: a unique, versatile space bringing together all of the brand’s projects — clothing, café, music, and tattoo — under one roof.

As part of Brussels Design September, Cityfab 3 invites you to an afternoon dedicated to exploring how urban production spaces can contribute to a more sustainable and repair-driven future.

The event will feature a conference on repairability, focusing on how to build stronger links between the Repair Café movement and the maker community.

We will also open the discussion to the role of major brands around creating collaborative repair networks.

This will be followed by a live demonstration of our industrial waterjet cutter, showcasing the possibilities of high-precision digital fabrication.

To close the day, we invite you to a BBQ and networking moment, offering a relaxed setting to meet makers, designers and other urban innovators.

Free access, but registration is required: https://www.facebook.com/Cityfab3, https://www.instagram.com/cityfab3/

Halfway between still life and organic matter, the Florence rug collection is inspired by the plant world and the art of drapery.

The design evokes a chimerical form in motion, carefully articulated around elaborate floral and chromatic compositions.

Inspired by nature, the Florence collection is an eco-friendly collection made entirely from 100% pure wool.

This material, once recycled, allows the creation of a new fabric, thus constituting the very source of initial inspiration for the project and consequently closing the creative cycle.

This dynamic evokes the natural process of a flower wilting to nourish the life cycle anew.

Designed by the Omecara studio and manufactured by cc-tapis, the Florence collection includes three rugs in various sizes (Heart, Venus, and Monarch), available in palettes ranging from 41 to 58 colors.

These pieces are meticulously hand-dyed and tufted by highly skilled artisans to achieve delicate and subtle shades.

Dimensions: 1. Heart: 220 x 140 cm 2. Venus: 240 x 100 cm 3. Monarch: 288 x 186 cm

https://www.instagram.com/studioomecara/
https://www.facebook.com/studioomecara/

From a public urinal for women to a subtle aluminium storage system.

Following its annual tradition, the group exhibition Future Generation: The MAD Graduation Show presents the winners of the MAD Graduation Prize 2025 and showcases their graduation projects.

No fewer than seven institutions are represented in the exhibition: Académie Royale des Beaux-Arts de Bruxelles, College of Art and Design, Ateliers Saint Luc, École supérieure des arts Saint Luc, Haute Ecole Francisco Ferrer, La Cambre and LUCA School Of Arts.

From textile design and interior design to industrial product development and fashion design, a total of 14 winners are honoured.

More information:

https://www.facebook.com/MADBrussels
https://www.instagram.com/mad.brussels/

The culture of taste and the taste of culture.

Located in the heart of Brussels, Galerie Bortier is a unique place where passion for rare books meets gastronomic excellence.

On the gourmet side, seven counters offer top-of-the-range dishes, from Italy to India, with exclusively local beers, wines selected by a passionate wine merchant, and organic coffees accompanied by homemade pastries with grandmotherly charm.

Combining art, flavours and conviviality, the Galerie Bortier invites you to an experience where every visit celebrates the richness of culture and authentic pleasures.

Come along now!

Guillaume Slizewicz is a designer and digital artist whose work sits at the intersection of technology, the environment, and societal issues.

Through his practice, he engages with the evolving dynamics between innovation and sustainability, using technology in poetic, evocative and critical ways.

His approach draws connections between ancient craft practices and contemporary digital tools. His works often blend physical materials, metal, wood, and clay, with digital processes like algorithms, artificial intelligence, and machine learning.

They connect the past with the future, linking craftsmanship with computational processes.

With “Headspace,” we are filling the living room and dining room of a charming house in Brussels with a curated selection of objects by young designers.

We want to create a ‘home’ feeling while showing unique and bold pieces.

The aim of the exhibition is to invite designers, design enthusiasts and other interested people to meet in our living room.

The HOTHOTHOT mugs experimental shapes that enhances functionality. The coffee version have fin-like shapes that reduce heat contact.

The new tea version is the first non-artisanal double-walled ceramic cup. An ode to the thousands of years old ceramic craft, using new 3D printing techniques to create a shape that allows you to comfortably hold a hot cup of tea or coffee.

The cups are stackable and come in different sizes HOTHOTHOT coffee espresso 80ml, cappuccino 150ml, flat white 200ml, latte 300ml, HOTHOTHOT tea small: 130ml, large: 230ml.

Iconik Gallery is specialized in design furniture from the twentieth century, abstract art and modernist jewelry.

With a predominance of post-war pieces, you will find a focus on Scandinavian, American and Dutch design, anonymous or signed.

Laurent and Magali wanted to create a place where knowledge, ideas, and stories are shared about fine twentieth century design.

You will discover a subtil selection of their favorite iconic pieces, responding on their esthetic vision.

OPENING HOURS:
Thurs. to Fri.: 12am > 6pm
Sa.: 2pm > 6pm

IMAGINAIR Art/space & gallery in Brussels (Ixelles), focusing on collectible design, photography and art, was founded by photographer Katrien Vanderbiest and designer Geoffrey Lambert.

The gallery works with a small collective of regular designers and a curated selection of changing artists and photographers.

IMAGINAIR's artist-led approach leads to SHOWS in which the work of various contemporary artists is given space and comes together in a unique scenography.

IMAGINAIR Art/space & gallery in Brussels (Ixelles), focusing on collectible design, photography and art, was founded by photographer Katrien Vanderbiest and designer Geoffrey Lambert.

The gallery works with a small collective of regular designers and a curated selection of changing artists and photographers.

IMAGINAIR's artist-led approach leads to SHOWS in which the work of various contemporary artists is given space and comes together in a unique scenography.

At the invitation of Brussels Design September and The Dominican, IMAGINAIR draws inspiration from the setting of this historic design hotel and brings together a selection of works in the public areas, crossing the boundary between art and design.

The scenography is reminiscent of the opera house next door: as classic as it is contemporary, as baroque as it is subtle.

By IMAGINAIR with work by Geoffrey Lambert, alongside that of Monica Piloni, ECHOES, Onas Uytdewilligen, Oskar Deroover, Ruben Boeren and others.

Design. Talent. Neurodiversity. Education.

How can we co-create learning environments where neurodivergent young people truly thrive?

During this vibrant Community Day, we’ll explore how design and creativity can drive inclusion, wellbeing, and talent development – in schools, educational settings and youth work.

We warmly invite young people, parents, designers, teachers, education professionals, youth organisations and policymakers to participate actively in this day, based on the Learn–Do–Share principle of Inclusively Wired.

LEARN –
Be immersed in vision and practice by three leading voices at the intersection of design, education and talent development:
- Arnoud Grootenboer (creative leader at the Dutch national police)
- Luk Dewulf (Talent whisperer and pioneer in appreciative education)
- Lana Jelenjev (Educator, community architect and founder of the Neurodiversity Education Academy)
- Open mic: between the talks, there is space for short contributions from participants. Do you have a story, idea or experience to share about neurodiversity, education or creativity? Take the mic!

DO –
Six hands-on sessions where youth, educators, designers and facilitators come together to explore creative, inclusive approaches. Sessions are hosted by Luk Dewulf, Studio Junctuur, Fermenta, Thijs Mackelberg and Lore Cuypers. Check our full programme here.

SHARE –
We close the day with an open panel discussion where speakers, youth and participants reflect on what we’ve learned, created and shared.

Afterwards, join us for drinks, snacks and an interactive installation, co-created with young people in the weeks leading up to the event in collaboration with A-puur-a (Katrien Buyle).

PRACTICAL INFO -
Wednesday 24 September 2025 – 13:00 to 18:00
Free admission – registration required
Languages: Dutch & English (translation available as needed)
Register here [https://sub.eqlab.be/?page_id=8322]

About Inclusively Wired

Inclusively Wired is a European project about neurodiversity, design and education, co-created by partners from Belgium (EQLAB), the Netherlands (Studio Junctuur) and Portugal (Fermenta).

This Community Day is made possible with the support of the European Commission, as part of the Creative Europe programme.

Inner Design is a Belgian company dedicated to creating innovative, contemporary spaces and furnishings that enhance the well-being of the occupants and users. 



The company was created in February 2024 after 2 years of gestation and development of the first product.

More info: https://www.facebook.com/profile.php?id=61555789572957
https://www.instagram.com/innerdesign_studio/
It is the result of a deep reflection on our current world and our development as humanity. The first product, Shanti®, is a relaxation chair thoughtfully designed to create a private sanctuary for recharging and rejuvenation.

This exceptional piece of furniture beautifully blends contemporary design with a focus on well-being.

Produced in Belgium with exceptional craftsmanship and attention to detail, Shanti® combines customizable textiles with a unique design to fit seamlessly into any project.

Espace Intermédiaire is a contemporary art gallery that aims to promote the artistic production and research process as much as the final product.

Located in Sablon, a hub for art, antiques and design, the gallery hosts solo and group exhibitions in all artistic disciplines, with a focus on traditional media and craftsmanship.

As part of Brussels Design September, we are hosting artist Isabelle Bonté-Hessed2 with the exhibition ‘La Faute’, in which she explores ceramics and, through it, modelling as a space for slowness, experimentation and resistance.

Inspired by Émile Zola's novel ‘La Faute de l'abbé Mouret’, this project is the result of a long-term residency at the Atelier des Tropiques, a centre supporting ceramic creation.

For the artist, ceramics is a medium for critical, sensory and sculptural expression. The hand becomes an interface. The material becomes a medium for thought. The design of her creations explores the poetry of clay through plastic and narrative research.

Her work merges art and literature, inviting viewers to immerse themselves in a garden of flourishing knowledge. The ceramics are made of porcelain and single-fired.

Jeanneke-pisⓇ: a new showcase of Brussels craftsmanship

The company Ad Astra, in collaboration with Lhoas&Lhoas architectes, is opened the Jeanneke-pisⓇ store, located in the historic heart of Brussels, at 10 Petite Rue des Bouchers.

The shop features two complementary spaces:
A live workshop, where artisans create screen-printed clothing and objects inspired by the Jeanneke-Pis statuette.

An innovative retail area, including a 24/7 vending machine offering artisanal products developed in partnership with leading local makers.

The interior architecture, deliberately minimalist and adaptable, highlights:
the preservation and unification in white of the existing material patchwork in the workshop,
modular and mobile metal furniture designed for flexible use, a sustainable approach through the use of reclaimed panels, in collaboration with Batiterre and supported by the architects’ own stock.

With its raw and versatile design, the store is independent of a fixed brand identity and could host other brands in the future.

Jeanneke-pisⓇ thus aims to become a living and sustainable showcase of Brussels craftsmanship, combining live creation, scenography, and round-the-clock accessibility.

More information:

https://www.facebook.com/Jeanneke-Pis-112558617601198
https://www.instagram.com/jeannekepisofficial/

Kazar is a unique interior design shop in the heart of the Dansaert district. A joyful mix of vintage, artistic creations and contemporary design, chosen with flair. Charming furniture, eye-catching lamps, unique objects, colourful textiles and refined tableware… Everything you need to create a home that’s uniquely yours.

OPENING HOURS:
Sat.: 11:30 am > 6pm + every 1st Sun./month
or by appointment

L’Héliotrope is a furniture and antique shop located in the centre of Uccle.

Since April 2024, I have been offering professional furniture, distressed furniture, antique bevelled mirrors, raw or finely embroidered linen household linens, art objects and curiosities.

The shop is designed to be a living space. I place great importance on the presentation.

From September 19 to 28, ENSAV La Cambre will take over the Espace Vanderborght to showcase the projects of its 2025 Master’s students — an opportunity to discover their work and engage with this new cohort.

More information:

https://www.facebook.com/LaCambreArtsVisuels
https://www.instagram.com/la_cambre/

I am the woman behind GO.SEE.CREATE. Travel, especially to the far north, is my greatest source of inspiration.

Each piece of jewellery is an ode to nature, inspired by its power. It is made from materials shaped by the earth, the sea, the wind and time.

Each creation is unique, a transcription of my photographs through the search for the shades and colours that compose them, but also and above all through the desire to convey the emotion felt when faced with incredible landscapes. My bench, my compass...

They come to life in my workshop-boutique in Brussels, but the real alchemy happens when, back from my travels, sitting on my bench, my landmark, my compass, my gaze wanders towards the horizon.

The colours, images and feelings of distant lands come flooding back to me. I fly off again to distant latitudes. A piece of jewellery is being created. I am the woman on the bench, and I am taking you on a journey...

"A thing of beauty is a joy forever..." Beauty and peace are within reach.

An object can soften a house. Shaped with care and intention, it becomes a breath of light.

I open my home to you, and a little more than that.

LE BEAU A UNE ADRESSE is an Art House, located in the heart of Brussels. Isabelle Leclercq, the founder, created this intimate and warm house to celebrate the BEAUTIFUL in art, design, literature and gastronomy. The house welcomes and highlights contemporary artists and designers. It is thanks to vintage furniture from the 1950s to the 1990s, passionately sourced by Isabelle Leclercq, that this Maison de Maître is unique in its style. Literary meetings, artistic events and culinary presentations are offered to visitors. The house offers art walks and private visits, every day by appointment. Artworks and vintage furniture are presented for sale. The Founder's mantra: "Let us be inspired and amazed by the BEAUTIFUL."

Open by appointment (by email or telephone). contact@lebeauauneadresse.com +32.470.910.418

Discover the best of a Belgian brasserie reinvented, brought to life by Christophe Hardiquest.

Le Petit bon bon is the spirited sibling of the iconic Bon Bon, bringing a fresh sense of audacity to the table in a more intimate, relaxed setting.

At Le Petit bon bon, Hardiquest’s menu mixes tradition and modernity, and the interiors reflect this by embracing and amplifying the cues of a classic Belgian brasserie.

To get there, the team focussed on natural materials such as copper, marble and wood, which come together to envelope diners in a warm, earthy colour palette.

A marble-topped bar greets visitors as they enter, with patterned floors in the classic brasserie tradition leading them to their tables.

Grooved wooden panelling around the bar and other areas of the restaurant conceals an acoustic layer, to ensure noise levels in the 230m-square space are always at a comfortable level. The restaurant can host 60 guests for fi ne dining.

The finishing kitchen is enclosed in glossy copper panelling, which will acquire a beautiful, natural patination over time.

Wall mirrors reflect the glow of the copper, and cast a soft light over leather banquettes, translucent alabaster table lamps and brass details – all of which come together to create a quintessential brasserie experience.

Lights from 1900 to 1970. All types of repair.

He is the cabinetmaker, the restorer, the craftsman of know-how, the maker of design, the curious of beauty; she is the lover of materials, the collector of fabrics, the shaper of atmospheres, the purveyor of colours, the hunter of elegance.

OPENING HOURS:
Mon. to Sat.: 10am > 6:30pm or by appointment.

On the occasion of Brussels Design September and to celebrate the opening of the creative space on Rue Berthelot, the first collective exhibition will inaugurate the Oasis space.

Lightcore brings together twelve Belgian and French artists, designers, and technicians whose practices revolve around light, approached both as a function and as a conceptual material.

Here, light is presented as a language — an immaterial flow that reveals matter — oscillating between technological, contemplative, and aesthetic approaches.

The exhibition deliberately blurs the boundaries between functional object, artistic installation, and experimental device.

The works encompass a plurality of formats and gestures: sculptural lamps exploring texture and diffusion, interactive devices integrating screens or sensors, and hybrid assemblages where function gives way to sensory experience.

Some pieces explore the autonomy of the luminous object; others consider light as informational, programmable data capable of producing a narrative.

This creative dynamic is rooted in a specific context: a network of artists emerging from Belgium’s festive and cultural scene.

The energy that drives the production of events, parties, and festivals is transposed here into the exhibition space.

Technique becomes language, and material becomes an accomplice. Materials — whether collected, salvaged, or repurposed — carry the traces of their previous uses, as well as the imprint of a collective spirit and an economy of means.

Between inventive tinkering and technological mastery, Lightcore embraces a poetics of resourcefulness: one that transforms tools into narrative vectors, diverts objects from their original functions, and reconfigures materials to generate new stories.

It is within this weaving of gestures, ideas, and improvised systems that the creative force of this emerging generation comes to light.

By inhabiting this temporary laboratory space, they explore and merge festive time with exhibition time, making light a vector for encounter, transformation, and reflection.

Guided tour of the exhibition Looking Through Objects: Women in Contemporary Polish Design with Agnieszka Jacobson-Cielecka and Gian Luca Amadei, curators.

About the curators: Agnieszka Jacobson-Cielecka is a design curator with a background in visual arts. She is interested in how local context influences design identities. She is also a columnist, event organiser, and jury member of design competitions. Agnieszka is the dean of the Faculty of Design at SWPS University in Warsaw. Previously, she was the artistic director of the Łódź Design Festival and the launching editor-in-chief at Elle Decoration Poland.

Gian Luca Amadei is an architectural historian, researcher and curator. His interests intersect between architecture history, urban planning, sociology and cultural context. Gian Luca is an advocate of life-long learning and a Lecturer at the Royal College of Art in London. He is also the author of the books: Discovering Women in Polish Design (2009) and Victorian Cemeteries and the Suburbs of London (2022).

Looking Through Objects is an original exhibition that illustrates the major role played by women designers in Poland today. From product design to one-off pieces, these creations tell the story of a rich array of singular achievements. Organisers: Design Museum Brussels and Polish Institute Brussels Partners: SWPS University in Warsaw, Royal College of Art in London, National Museum in Gdańsk Curators: Agnieszka Jacobson-Cielecka, Gian Luca Amadei, Dario Lombardi.

More information, registration: info@designmuseum.brussels / 02 669 49 21

A sensory journey into raw material, from workshop to showcase.

To mark the reopening of the boutique during Design September, Material Reverie invites you to step into a living installation celebrating the creative process behind fine jewellery.

Part exhibition, part open studio, this project honours the intimate connection between material, gesture, and design. Discover the behind-the-scenes magic from sketch to wax, from casting to polishing, from stone to adornment.

The boutique transforms into a space of passage and dialogue, where artisanal savoir-faire meets contemporary design and quiet luxury.

Materiatek is a living tool for the creative community.

Located in the heart of Molenbeek, Brussels, this project transforms a former brewery into an open, independent platform dedicated to materials, design, and human connection.

Conceived and designed by multidisciplinary studio ncbham, Materiatek is a built manifesto of shared values: neutrality, circularity, and openness.

The architecture takes a quietly assertive stance: raw, restrained, and generous.

Neutral tones and minimal finishes allow the true protagonists, people, processes, and materials to take center stage.

Natural light pours through a deliberately porous layout, encouraging movement, visibility, and chance encounters.

It’s a space that invites curiosity without demanding attention.

Materiatek is anchored in three interwoven pillars: a curated materials library, a coworking hub, and a dynamic event calendar.

These aren’t separate functions, but fluid interfaces. Professionals come to work and stay for the exchange. Students discover new tools and return as contributors. Neighbours drop in and become part of the rhythm.

With circularity at its core, the space features 100% recycled wood cladding, Rotor-sourced tiles, and meaningful collaborations with local designers, HIER for shelving, Sonian wood for work surfaces. Every detail is intentional.

This is a space built with care, not just for those who use it, but for the ecosystem that sustains it.

Internally, Materiatek was shaped through a deeply collaborative process within ncbham. Across disciplines, the team co-authored the project, designing not just its form, but its mission.

Today, Materiatek operates as an independent non-profit (ASBL), is a physical and social infrastructure for shared discovery, a neutral platform for innovation, experimentation, education, and genuine dialogue between industry and practice.

This lamp was born from the intention to reinterpret the lightweight structure of Coderch’s lamp, making paper the protagonist and turning it into an active structural element.

Its design combines digital fabrication with everyday materials and is also inspired by the shape of Barcelona’s panot flower, transferring this visual language to a new context.

The main structure was digitally designed and produced using 3D printing, serving as a modular skeleton that facilitates assembly and disassembly.

What makes it most unique is that the papers themselves—inserted and stretched between the printed pieces—not only filter the light and define the lamp’s atmosphere but also provide rigidity and cohesion to the whole, creating a symbiotic relationship between support and diffuser material.

This light and organic design explores the boundaries between the ephemeral and the structural, the digital and the manual, proposing new hybrid production methods.

Additionally, it is an easy-to-transport lamp that occupies little space and can be fully customized to your preferences, allowing you to choose the color of the structure, the paper, and the type of fastener.

Born in a creative village near Tasikmalaya on the island of Java (Indonesia), the Mawi Lamp is the result of a collaboration with artisan Kowi.

Indonesia remains one of the world’s leading suppliers of bamboo — a fast-growing, sustainable material prized for its technical qualities such as strength, lightness, and flexibility.

The lamp is crafted entirely from bamboo, showcasing its different characteristics: solid bamboo in its raw form, and woven bamboo, which offers greater pliability.

The chosen weave for the lampshade is called dadu (“dice” in Bahasa Indonesia), a reference to the geometric pattern.

Selected together with Kowi, this weave allows light to pass through the fine bamboo strips, creating subtle visual effects: small openings where the light intensifies and appears as luminous points.

The lampshade’s shape offers flexibility between direct and indirect lighting, as it is not fully enclosed. Rather than being fixed to the base, it is recessed, allowing the shade to rotate and adapt to the desired level of brightness.

This design underlines the lamp’s versatility — serving as both a desk lamp and a source of ambient or direct light — while literally shining a spotlight on traditional Indonesian craftsmanship.

The Micro Factory is a shared manufacturing workshop, based on participation and mutualisation.

It’s like a co-working space but for the makers where everyone contributes his time to ensure its proper functioning.

We want to show the several projects and pieces of our deginers, our makers and our craftmen.

Open Workshop days at Niyona.

For the very first time since settling into our atelier in Anderlecht, we are opening the doors to our world of fine leather craftsmanship and design.

Step inside our workshop and design studio, and discover the tools, materials, and projects that shape the essence of Niyona — from past creations to works in progress.

More than just a leather workshop, Niyona is a multidisciplinary studio where minimalist aesthetics meet traditional techniques.

Our open days are a rare opportunity to witness this creative dialogue firsthand — a fusion of design, gastronomy, fashion, architecture, and scenography that reflects our approach as both artisans and designers.

Join us for a guided tour, meet the team, and experience the atmosphere of a space where craftsmanship and contemporary vision come together.

We’ll take the time to share our passion, process, and the artistry behind every piece.

Welcome to the heart of our creation.

We are an interior design office that has development a continuation of our furniture collection that we launched in 2020.

This collection has chairs, serving trays, room divider (screen), two lamps, side tables and a bench. We will dedicate a space in our office to highlight this collection during Brussels Design September.

Hugh Roche Kelly is a woodturner and furniture maker using wood sourced entirely from the Sonian Wood of Brussels. Unique sculptural vessels and usable tableware.

For Brussels Design September, enjoy an Open Studio visit with some demonstrations, a display of work. Located at 140 Rue Hayveart, the studio is in the heart of artisan circular production in Brussels.
https://instagram.com/hughrochekelly

A new space dedicated to high-end contemporary design, Sisu opened its doors in June 2024 in a stunning late 19th-century mansion located in Woluwe-Saint-Lambert, in the Georges Henri district.

This 180 m² venue, spread over two floors, showcases a carefully curated selection of contemporary furniture and lighting from renowned European design houses such as Zanotta, MDF Italia, BD Barcelona, Catellani & Smith, oluce, and Foscarini.

For Design September 2025, Sisu will host an exclusive exhibition by Belgian artist Michael Scheers, whose work follows in the footsteps of kinetic art pioneers.

Through his vibrant, evolving geometric compositions, Michael Scheers explores movement in a way that intrigues, captivates, and challenges our perception. C

urves, lines, textures, and colors engage in dialogue to create optical illusions that are both poetic and dynamic. A preview of his universe is available at: www.michaelscheers.com.

To enhance this visual journey, each artwork will be paired with colourful scented candles by Bois Eloi Fragrances, a Belgian eco-conscious and artisanal brand.

Elegant, sustainable, and refillable, these candles will add an olfactory dimension to Scheers’ visual play, creating a subtle dialogue between light, materials, colour, and fragrance.

Arthus Galerie, located on the charming Place du Châtelain in the heart of Brussels, will host a pop-up exhibition entitled "Palm Springs" from September 11-5 October.

We are collaborating with stylist Audrey Heselmans (@audreyheselmans), founder of the lifestyle concept Maison de la Folie (@maisondelafolie), who will create an eclectic and immersive exhibition inspired by the sunny world of Palm Springs: design, vintage furniture, jewelry, fabrics, decorative objects, and lifestyle.

Audrey, passionate about this destination she knows intimately, will bring her unique perspective, informed by numerous travels and anecdotes, to the exhibition.

The exhibition will feature the works of Danish artist Tilde Grynnerup (@tildegrynnerup) as well. Their colorful and playful aesthetic will blend perfectly into this powerful and unique visual universe.

Open daily from 2-6 pm. Closed Monday and Sunday.

Radical Landscapes marks Mario Trimarchi's first solo exhibition in Brussels. The Compasso d'Oro award-winning designer and architect presents a selection of his most recent work, including unique objects and drawings on paper. Trimarchi's research unfolds across delicate, poetic landscapes captured in his drawings, and continues into the creation of unexpected and sometimes precarious objects: sophisticated assemblages of raw materials such as glass, metal mesh, stone, brass with domestic and familiar forms. These fragile yet striking constructions talk to us about the unachievable equilibrium of life, about warmth and coldness, instability and solidity, lightness and weight, transparency and opacity. In Radical Landscapes, Trimarchi invites us to explore the poetic friction between the natural and the designed — between what we know and what we are still learning to see.
Monika Unger — Exhibition concept and production

The exhibition presents objects and drawings from six different collections:
BARRICADES, fragile architectures made of structural fragments, assembled in uncertain balance.
CLOSE TO THE EDGE, rock and glass — weight and transparency — held in precarious equilibrium, overlooking the abyss.
THE WALL, woven metal objects — vessels in growth — stretching upward toward the sky.
FOREVER, MAYBE, a collection of rings that might last forever — or fade like sea stones shaped by wind and water.
STRAWBERRY FIELDS FOREVER, miniature rural landscapes that bring the countryside into our domestic spaces.
STILL LIFE, glass branches intertwine and rise to collect and distribute rainwater in a perpetual, delicate movement.

A selection of design objects, currently in production by Alessi, Caimi and Ichendorf is presented on the lower floor.

Mario Trimarchi is a designer and architect who sees design as a means to bring poetry into the world of everyday objects. Formerly director of Design Master's course at Domus Academy, he was part of the Olivetti Design Studio before founding the brand consultancy Fragile. Today, through his own practice, Mario Trimarchi Design, he creates objects and furniture for leading international companies.
In 2016, he was awarded the Compasso d'Oro for the Ossidiana coffee maker designed for Alessi. His work often explores the boundaries between drawing and design: in 2019, he held solo exhibitions of his drawings at the Italian Cultural Institute in Paris and at the Design Hub in Barcelona. In 2020, two pieces from Botanica — a collection of sound-absorbing panels for Caimi — were acquired by the Quirinale Contemporaneo Collection.
In 2022, he was invited by the Korea Craft and Design Foundation to design five small Yugi brass altars, and received the Targa d'Oro from the Unione Italiana Disegno (UID) for his contribution to drawing culture.
In 2024, the film Ten Types of Black, directed by Emilio Neri Tremolada, was released, offering a poetic reflection on Trimarchi's black-and-white drawings, which he describes as a way to "forever fix the presence of things and ensure their peaceful survival."
Since 2024, his research at the intersection of art and design broadens, leading to a series of solo exhibitions in Milan (Galleria Jannone and Paula Seegy Gallery), Como (Galleria Diaz 14), and London (Mint Gallery). He draws day and night.

RAMBO is AMERICA

Set in the streets of LA, under the California sun It's our love letter to the old school burger joint.

A return to the origins of burger, to its very essence: no fuss, simple, quality burgers.

Random Distractions (: is an exhibition imagined by Lucas and Alice, respectfully designer and communicator. Sharing a common passion for committed, accessible, and meaningful design, this exhibition reflects our desire to collaborate on a project that embodies our shared aspirations: to imagine, create, and above all, to convey a form of design that aligns with today’s global challenges. Through a selection of seven projects from Lucas’s experimentations, Random Distractions (: explores the tensions between critical thinking, creative process, and collective engagement. The objects and installations focus on themes such as circularity, material reuse, technology, and social or political dynamics, approached through a transdisciplinary and open-source lens. Rather than glorifying the final result, this exhibition aims to highlight the detours: the wobbly prototypes, the inspiring failures, the unfinished or revived ideas, and the unexpected exchanges between friends, artists, engineers, or curious minds. Random Distractions (: thus aims to be a living, interactive, and evolving space that invites visitors to understand the behind-the-scenes of contemporary design creation.

Exhibited projects:

CLEAR – Circular Electronics Upcycled - Transparent audio objects made from old electronic components, recovered, dismantled, and reassembled. CHAIR – Parametric Furniture Numerical Simulated - A series of unique chairs designed from a single parametric model, digitally simulated to automatically adapt to reused materials of various shapes, without having to redraw each piece.

RBAG – Open Source Textile Objects - A collection of open-source accessories and garments, easy to make using upcycled materials, with free patterns and 3D-printable spare parts.

REDISTRIBUTE – Visual Representation of Wealth Scales. - Redistribute is a visual project that makes economic inequalities more tangible by translating abstract amounts into concrete forms such as distance, time, or volume.

RITMO – Visual Coding Performance - Ritmo is a visual and performative project that generates real-time visuals based on gestures, sounds, or presence captured by sensors, here via a Kinect — even in extreme conditions like night, rain, or fog.

MODULAIR – Multiple Modular Products - A modular system of objects connecting the fields of furniture, lighting, and audio.

RENDER – Machine-Learned Art Reinterpretation -

Italian Design furniture.

OPENING HOURS:
Wed. to Sat.: 10:30am > 6pm
Sun. to Tues.: by appointment only.

Inspired by architecture, the TOO 60 CERAMIC TABLE LAMP by Katia Langeard balances chaos and harmony.

Its silhouette is formed by a superposition of ceramic bands, stacked like architectural strata.

The surface treatment draws inspiration from decorative and constructive techniques of the 1960s, giving the piece a texture that is both raw and refined, creating a subtle dialogue with light.

How does the design taste?

The Savour exhibition presents a selection of projects by students of the Product Design Studio at the Prague Academy of Arts, Architecture and Design, which combine the theme of gastronomy as a space of sensory experience, cultural sharing and craft dialogue.

As part of the Brussels Design September festival, the Prague House will present product collections created in collaboration with the Czech glassworks Bomma and Květná and the gastronomic group Ambiente.

The exhibition combines contemporary design with the tradition of the glassmaking craft and shows how a new language of dining can be created - from beer glasses and drinking glasses to lights designed for restaurant environments.

The individual installations reflect both the creative process and the technological possibilities and cultural overlaps associated with applied glass.

A rhythm of stories runs through the exhibition - from cooking techniques transformed into objects to a tribute to the glassmakers of the Moravian town of Květná.

The Savour exhibiton invites visitors to ‘not just look’ at the design, but to really enjoy it - in detail, in material, in context.

And above all, to bring the everyday ritual of food closer to us through glass as a space of human contact, craft, and culture.

_SCAPE
La 5ème Porte Art Gallery Avenue Paul Dejaer, 33 B-1060
@stephane_tambeur

For this exhibition, we bring together a selection of designers whose practices question material, usage, and processes of transformation.

Each resident of the Ursquare studios was invited to bring along one or more designers with whom they wish to share this collective stage.

Ursquare is a place in transition: a shared fabrication space, a living workshop in constant change, open to the city.

It is in this dynamic that we are organizing Shifting Ground, an exhibition that explores gestures of making, the relationship to the ground, the territory, and to matter itself.

Guests:
Aiko Design
Amandine David
Atelier Burrata
Atelier Popi
Ateliers J&J
Béatrice Van Caillie
Blackwool
Chateau Resort
Daphné Keraudren
Dries Dries
Frau Steiner Studio
Guillaume Slizewitch
Heleen Sintobin
Hugo Beheregaray
Jean Baptiste Gambier
Jean-Maki Simon
Levi Dethier
Lieza Dessein
Louis Gay
Manon Viratelle
Maud Paul
Olga Flor
PaulineplusLuis
Pierre Castignola
Studio Biskt
Studio Minimetre

As part of the development of the brand JOA, we're opened a new showroom in Chatelain this summer.

Our concept of showroom had been totally reviewed to propose a full immersive experience to the visitors and future clients.

The visitors will be able to discover all what makes JOA special, the curves of our furniture, the details of conceptions and so on.

A special sulpture will be also installed in the space. This art piece symbolizes both our link to the nature and our technical know how.

In Critical Mass, Paul Cocksedge returns to some of the most industrial, heavy, and raw materials available: plate steel and marble.

He explores what happens when they are pushed into forms that speak of tension, intimacy, and the human hand.

The Critical Mass table begins with a CorTen plate, fifteen millimetres thick, industrially manufactured, weighing hundreds of kilos.

Cocksedge cuts into it, strip by strip. These slivers are then welded back to the edge of the original sheet to lift it to table height.

The process feels like collage. Instead of cutting paper, Cocksedge works with steel. Instead of glue, he welds. The result is a horizontal plane that feels suspended. The legs are leaning, sliding, falling away.

There is a visual contradiction: the form feels abstract, but it is functional. The Critical Mass series holds an energy, something on the edge of collapse or explosion.

While working on this series, Cocksedge found himself reflecting on the speed and change of two of the most pressing issues of our time: AI and climate change.

Every conversation, most thoughts, led back to this in some way. In contrast to these contemporary issues, being in the factory around a team of makers, welding, cutting, calculating, felt refreshing.

The directness and physicality of being around the metal, the mass, the heat felt real. Immediate. Human. Present.

There is something in that experience, between the digital and the physical, that runs through the entire exhibition.

The second body of work sits at the other end of the emotional spectrum. Cocksedge takes blocks of marble, quarried and cut, and brings them together in ways that feel soft.

There is no welding here, just weight and gravity. The forms nestle, lean, and gently compress one another; the material is hard, ancient, cold, but the shapes are warm, intimate, even affectionate.

Together, these two series sit in dialogue. One is sharp, angular, abstracted. The other is rounded, gentle, compressed. Yet both emerge from the same place, this pressure point, this moment where technology, environment, and people are all converging, and what happens when all of it reaches a point where something must give, or rise.

More information: https://www.instagram.com/objectswithnarratives/?hl=nl

From locally harvested wood to contemporary design.

Sonian is a highly specialised atelier working exclusively with unique hardwood from the Sonian Forest, a UNESCO World Heritage Site known for its exceptional towering beech trees.

We create sought-after objects in collaboration with leading designers and provide in-house production facilities for bespoke projects.

https://www.instagram.com/sonian.brussels/

With his latest Spherene Side Tables, Belgian designer Peter Donders continues to build on his oeuvre in which craftsmanship, technology and nature go hand in hand.

For this design, he worked with a plug-in from the Swiss computer algorithm Spherene, which allows the creation of so-called metamaterials.

For example, the innovative program develops structures in steel, which have the weight of aluminum with less material.

This ties in with the pursuit of sustainability and efficiency within the design world. In addition to a standard version in resin, Peter Donders presents a second in the original material sand: https://www.peterdonders.com/spherene-side-table/
This creates a high-end interior object in which the present and the past, but also nature and innovation merge.

The use of sand and the organic design language fit in perfectly with the renewed desire for a natural, tactile and relaxing living environment. It feels both futuristic and familiar, and appeals to the imagination.

Technically, Peter Donders transforms the age-old use of a negative sand mold for casting into a 3D-printed, positive form in sand. With his design, he introduces the use of sand printers, normally used in aerospace or the high-end automotive industry, into the design world.

In this way, his work fits perfectly into the technocraft trend: combining traditional craft with innovative technology.

Open Doors 22.09-27.09

More information: @studio.minimetre

Swookies enlisted Rond Carré Studio to design a space in line with the brand's rebranding: direct, graphic, structured. Inspired by the cooking of the product, the space evokes the interior of a cookie oven: walls painted in a gradient of yellow, industrial metal stud shelves, and exposed cable trays.

The whole space is custom-designed, intended for showcasing the product in a bright, raw, and unapologetic setting.

From the entrance, the confection workshop, located at the back of the store, is clearly visible.

This choice affirms the transparency of the place and highlights the artisanal know-how behind each cookie. In a bid to save costs, the original terrazzo floor was preserved, as well as the existing counter, which was simply dressed with metal profiles.

A distinct yellow module was added to accommodate the coffee machine and assert the brand's presence from the street.

The materials usually reserved for construction sites are here repurposed as full-fledged design elements.

The cookies are displayed in custom stands, tilted to better reveal their textures. Behind the counter, a large central table hosts workshops in an open and accessible spirit.

Above, custom-designed pendants – also present above the counter – punctuate the space and assert a discreet yet precise graphic signature.

The branding work extends into the packaging: cubic boxes in white printed kraft, encircled by colored sleeves, which interact with the hues and lines of the place.

A global project, where architecture, graphic design, and budget constraints are balanced with rigor and precision.

A collaboration between Ma. Art Space and Zarif Design Ma. Art Space is delighted to present an exceptional exhibition in collaboration with Zarif Design, a fashion house founded in 2005 in Kabul by Zolaykha Sherzad.

Through this exhibition, we are showcasing for the first time in Brussels a thousand-year-old textile heritage, threatened but still vibrant, which Zarif is committed to preserving and reinventing.

Zarif — which means ‘precious’ in Dari — works to revive traditional Afghan craftsmanship: silk and cotton weaving, ancestral embroidery, and the manufacture of the famous chapans (traditional coats).

Each piece embodies a memory, a story, a deep connection with the cultures of the Silk Road. Zarif Design seeks to safeguard these ancestral techniques by working across the entire production chain: from raw materials (silk, cotton, wool) to the creation of unique pieces, respecting local craftsmanship and its spiritual dimension.

But this approach is also deeply human and committed. Zarif Design is a space of resistance and creation for Afghan women.
In a context marked by political instability and restrictions on freedom, these craftswomen find, through their work, a means of subsistence, transmission and dignity. In addition to maintaining social ties, they learn, create and assert their voices.

By using textile art as a means of expression, Zarif builds a bridge between the world and them. These textile works have been featured in major installations, including at MuCEM (Marseille, 2019), the Musée national des arts asiatiques - Guimet (Paris, 2022), the Chapelle Méjan (Arles, 2023) and Homo Faber (Venice, 2024).

The exhibition in Brussels offers a selection of unique textiles, combining tradition and modernity, all handmade and available for sale.

Each piece purchased supports the survival of a precious local craft, as well as the economic and social empowerment of the women who hold this knowledge.

In the heart of Brussels, Muntpunt offers more than books, it offers a break from the busy city center.

Since January, its interior has been quietly transforming, a thoughtful reimagining of the public space by Doorzon interior architects.

A bespoke stand, inviting club seats, and generous tables now fill the ground floor. What was once a large entryway has become a welcoming place to stay.

In 2020, the founders of the Ghent-based collective Stand van Zaken, Stefanie Everaert and Theo De Meyer, started to inhabit an abandoned greenhouse in Flanders.

This experience was the opportunity to discover new ways of occupying space playing with the boundaries of our domestic habits.

The research they propose to carry-out during a four-months lasting residency in Brussels, is in close relation with what they have been experiencing in the greenhouse and the fact that this is soon coming to an end.

What can life in a vast, climate-responsive space teach us about migratory living? What does it mean to inhabit spaces seasonally? And what tools do we create to facilitate this particular way of living?

All these questions will be part of the empirical experimentation and intuitive research that Stefanie and Theo will be setting up over the next few months in an attempt to enhance the feeling of freedom.

Following the announcement of the forthcoming sale of the greenhouse, the residence will offer a time to reflect on what has happened there and what to learn from it, while the exhibition space will be the place to pay tribute to this experience.

The exhibition opening on Thursday 25 September is the outcome of their residency.

https://www.instagram.com/architecture_curating_practice/

The Unusual is a new café/bar concept that opened its doors in January, right in the heart of Brussels.

By day it operates as a café, while in the evenings it becomes a hub for Belgian tourist activities (Pub Crawl, workshops) as well as private events (concerts, comedy nights).

The bar’s desire to integrate fragments of Brussels heritage has shaped the entire identity of the venue.

The interior design concept is based on a collection of old doors, stained glass windows, and handles salvaged from dismantled houses and office buildings — notably from the Oxy building, just 100m away. These elements were incorporated into a structure built from a reclaimed wooden framework.

The result is a unique blend: on the one hand, a vintage colour palette, and on the other, a patchwork of interior woodwork details, both of which inspired the graphic identity of this new meeting place in the city centre.

Inspired by architecture a lamp that feels both chaotic and harmonious, a structure of stacked ceramic bands that rest upon one another.

For the surface treatment, I drew inspiration from architectural techniques of the 1960s​.

A project Toolscale, studios BlackWool and MINIMÈTRE come together to explore contemporary making as a space of hybridization between handcrafted gestures and digital tools.

At the heart of the project: a sofa conceived as a manifesto piece, where materials from radically different practices converge.

The wool, carded and hand-spun, is enriched with multimix — a blend of fibers reclaimed from textile production waste.

It sits alongside 3D-printed ceramic elements — an artisanal process controlled through additive technology — and extruded aluminium profiles produced through standardized industrial methods.

Each material embodies a mode of making, a rhythm, a relationship to gesture. Together, they shape a functional and narrative object, revealing both the frictions and complementarities between tradition, innovation, and production.

Surrounding this central piece, the exhibition reveals the backstage of the project: prototypes, tools, material samples, and fabrication narratives.

The whole forms a working method that is open, sensitive, and guided by — as much as responsive to — the material. Toolscale is an invitation to reconsider how we make, produce, and transmit knowledge.

More information:
@1030blackwool

The École Nationale supérieure des arts visuels de La Cambre (ENSAV), founded in 1927 by architect and interior designer Henry van de Velde, will soon celebrate its 100th anniversary.

Leading up to this milestone and as part of the alumni project, a number of exhibitions are being organized to celebrate the school's centennial and highlight former graduates.

The exhibition entitled Trans-Formations is a co-production of La Cambre, Les Amis de La Cambre, MAD Brussels and CID - Grand-Hornu.

It highlights the concept of transversality through the work of alumni from the Industrial Design, Textile Design, Interior Architecture, Accessories and Fashion Design departments.

Transversality, a key concept of La Cambre, is the central theme of the exhibition. In an increasingly complex world, designers transcend the boundaries of their discipline.

They combine craft with science, art with technology, and add marketing or even artificial intelligence to their creative process.

In this exhibition, transversality is approached as a spectrum: from collaborations between disciplines to their blurring, with the aim of better understanding and shaping complex realities.

About fifteen projects show how former La Cambre students are building bridges between diverse worlds. Astrophysics merges with horology, architecture meets corsetry, and AI becomes a creative partner.

These encounters lead to surprising objects, innovative processes and meaningful dialogues between man, machine and society.

La Cambre thus reveals itself not only as a breeding ground for talent, but also as a space for reflection, experimentation and engagement. An exhibition that questions and shapes the future of design.

AN EXHIBITION FEATURING THE WORK OF
Isabelle Baines, Judicaël Cornu, Jean-François D’Or, Jean-Paul Emonds-Alt, Simon Hadjidimoff, Juliette Huercano-Hidalgo, Krjst, Justin Lalieux, Sarah Levy, Maak & Transmettre, David Rutten, Piotr Sierakowski, Studio Biskt, Diane Steverlynck, Claire Williams and Bitoño.

AN INITIATIVE OF
The exhibition is an initiative of Les Amis de La Cambre. A co-production of La Cambre, Les Amis de la Cambre, MAD Brussels and CID - Grand-Hornu.
Curated by Marie Pok (CID - centre d’innovation et de design au Grand-Hornu)

- Open from Wednesday to Saturday, 11 a.m. to 6 p.m.
- The exhibition will be closed on Saturday, November 1.
- Price: A visit to the exhibition is free

A sensory journey through material and form Every detail tells a story.

From the subtle skin embracing the surface, to the rhythm of the grain and the gentle dance of natural lines suggesting movement.

Each element is carefully crafted to be not only seen, but also felt.

During Brussels Design September, we invite you to experience design in motion: soft, flowing lines that bring the textures of our new Master Oak and other natural patterns to life.

It’s a play of light, form and texture that unfolds layer by layer – revealing new details the closer you look.

The refined outer layers feature our 12 new timeless designs: 6 new Master Oak finishes and 6 with a velvety Supermat finish.

Master Oak captures the depth and warmth of genuine wood structures – inspired by nature – in a sustainable alternative to veneer, with no perceptible difference.

The Supermat designs pair effortlessly with Master Oak to create interiors in every style.

We warmly invite you to step into our story of authenticity. See it, touch it, feel it.

More information:

https://www.facebook.com/UnilinPanels
https://www.instagram.com/unilinpanels/

Presentation of graduation products - department interior design & productdesign of LUCA school of arts, campuses Gent, Genk en Brussels.

Vestiges is a collection of three collectible design pieces: the Pressure Pendant, the Soft Tower and the Vestiges Table.

All three pieces are made using lasercutted aluminium plates which are drawn by accidents; pictures of broken objects.

The repetition of the drawing thanks to laser cutting brings an aesthetical paradox.

The pieces are also an exploration of crafts and digital manufacturing with the addition of natural latex, textured glass or resin printed bulb.

All the pieces are produced in Brussels and are made to order, and are freshly released on online galleries such as Adorno or The thing magazine.

Photos: Dogtooth, Simon Breynaert, Simon Hampikian

We propose our selection of high quality vintage design furniture, mostly Italian from the 50's-70's.

The work of design collective Vormen and photographer Liza François shares a quiet sensitivity to material, emotion, and space.

While Vormen creates poetic objects born from intuition and the material itself, François captures the layered nature of human existence through images that feel soft, honest, and tangible.

This presentation brings about a meeting — a dialogue between image and form. Images and objects that support, mirror, embrace, and rest with one another.

Both image and form carry each other. Their shared aesthetic, rooted in simplicity and vulnerability, invites slowness and stillness: a thoughtful gaze at the everyday, where the boundaries between object and image begin to blur.

PHOTO on left (Haircut): ©Liza François - PHOTO on right (Drape): @Richard Duyck
PHOTO on left (Butterfly): ©Liza François - PHOTO on right (Dusk): ©Lars DuchateauPHOTO
Left (Hold on): ©Liza François - PHOTO right (Leaning cabinet): ©Lars Duchateau

Home Design / Decorative Arts XX / 50’s-60’s-70’s
Scandinavian furniture, Italian lamps, antique and contemporary ceramics, high-quality bronzes, architect-designed furniture, marble sculptures, paintings, and lithographs... a wide selection located in the heart of the Marolles!

Opening hours: every day from 10 am to 6 pm

Zangra, a Belgian manufacturer of lighting and interior decor items, is launching its very first physical store in the heart of Brussels. With a long history of online sales success, Zangra is now excited to offer customers an immersive shopping experience that brings its unique design aesthetic to life.

Located behind the Royal Flemish Theater (KVS) and facing the iconic Gothic cement truck installation by artist Wim Delvoye, the Zangra boutique is fully outfitted with the sleek and minimalist style that characterizes the brand. In addition to a comprehensive product range, the shop also boasts an office space where customers can learn more about the brand’s history and design philosophy.

The shop offers a wide selection of products ranging from Art Deco lighting to retro home accessories. Zangra pays special attention to the presentation of its product range to inspire customers to create a pop and retro atmosphere in their homes.

Founder Eve Van Dyck explains, «Our goal is to inspire and stimulate our customers’ creativity, and to showcase the endless possibilities that Zangra products offer.» The new zangra boutique is conveniently situated in the heart of Brussels’ Pentagon. It’s just a short stroll away from the vibrant restaurant district of Place Sainte-Catherine and the trendy shopping hub of rue Antoine Dansaert.
Additionally, the shop is in close proximity to the Kanal museum and Tour&Taxis, which are rapidly growing neighborhoods.